Edges of the Medievalism

As i mentioned before, i was supposed to choose a chapter from the “A History of Architecture” written by Spiro Kostof. Then, i chose “Edges of Mediavalism” , chapter 16, and read it. In this stage, i would choose a topic from this chapter, which i would search and write about until the end of this semester. Before choosing, i am supposed to write about general things which Kostof is mentioning about the architectural history, in this chapter.

The chapter “Edged of Medievalism” starts with this statement: “Destined for great things.” This is a city which includes lots of historical and architectural meaning, and also includes much more important names who are historians, artists, sculptors and architects , in its own history. This city took so important role in ideal, artistic and historical development of Europe. Lots of historians and artists showed us that Florence has a special meaning for developing innovative ideas about art, architecture and politics also. Renaissance discussions started in early 15th century in Florence with Brunelleschi, Donatello, Masaccio. Maybe because of the citizens contentious behaviors, maybe because of the Florence’s position in rivalvy, for example with Pisa, Milan, German Emperor, the pope and his defenders, Florence has always included several discussions and violently frictions. The citizens had frictions also with eachother. Every social group and class in Florence is extremly against with eachother. So Kostof says that “Vengefulness was the order of the day” and asks “Which is the truth about Florence? Was she enlightened or grim, a united city or the product of contentious energy?” then he answers: “Both, really.” Although, People who lived in Florence, discuss, fight, even hate each other, they were proud of being Florentines. The one more thing about Florentines was they believed that they are free, although the real situation was different.

In the “City Center” part, writer mentions about the Roman ideal design which is “beautiful, wide and straight” , then Florence had these 3. The city had an order which reflect the order of social and political orderliness. There is a race with Pisa and Siena, but, Florentines were very ambitious about it and this situation created a superiority for Florence. In the early 14th century, the new public buildings started to clarified the visual relationships in the city center. During the 14th century, some disasters couse depopulation in most of Europe, but Florence did not affect these disasters so much. The Hundred Years War between England and France cause lots of damages in terms of population and economical. So all these provide Florence to be better conditions to live, to think, to discuss and to develop.

The changes in life styles had also changed the city places. When people started to get money from country side, they started to move there, so having a place in country side got to be popular. The town houses also changed from its traditional type into a new residential type of house. Writer says “By the mid 14th century the type was in the process of civilizing itself, turning into something more urbane, less dour.” Although all different trials, the churches had still gothic style in Florence.

Overall atmosphere of europe was not so good as Florence. Wars, Black Death, depopulations weakened the Europe. The cities also suffered from financial mismanagements and there were fights between aristocracies and the working classes.

In conclusion, the mediaval age has some decreasing values in Europe, and some positive things in Florence in terms of art, architecture and politic. So this situation creates a base for Renaissance in Florence and it is the thing what the other parts of Europe need. Before Renaissance, Florence has an important role for all devolopments, so the writer mostly mentions about Florence and its role in Europe.

Kostof, Spiro. A History of Architecture, New York and Oxford: Oxford University Press, 2010.

Bedri Rahmi Eyüboğlu – Abidin Elderoğlu Exhibition

20141021_180238

20141021_180345

20141021_180336

Last week, we have visited to Ankasanat to see exhibiton of two important abstract painters of Turkey, Bedri Rahmi Eyüboğlu and Abidin Elderoğlu. Thank to our Art100 instructor, Jale Erzen, we have observed the abstraction techniques of these painters.

Bedri Rahmi Eyüboğlu;

This slideshow requires JavaScript.

Abidin Elderoğlu;

This slideshow requires JavaScript.

About the Museum of Anatolian Civilizations

The whole building of the museum consists 2 different buildings as Bedesten and Kurşunlu Han. The Bedesten (covered market) was built by Mahmut Pasha in 1455-1466, 1472-1473. The building has 10 domes which cover a central space. It was used for selling clothes. The other building, Kurşunlu Han was built in 1466-1469 by Mahmut Pasha. It is a typical Han building which is traditional architecture of Ottoman Empire. After a fire in 1881, the buildings were out of use. Mustafa Kemal Atatürk, founder of the Turkish Republic, suggested to restore the buildings and manage them as a museum. After he died, restoration work started and it finished in 1968,however the first part of the museum opened in 1943.

The bedesten part of whole building is center of the museum, and there are stone artefacts which are shown and the surrounding spaces are all open to this central hall. Domes are still there and they emphisize the situation of being center and common. The other part of building provides surrounding around the centeral space, so the directing role of the space works as a continious visual trip into the history of Anatolian Civilizations in a very chronological way. The experience of the whole space is managed very well.

In the museum, there are 11 sections which are;
1-Paleolithic Age
2-Neolithic Age
3-Chalcolithic Age
4-Early Bronze Age
5-Assyrian Trade Colonies
6-Hittite
7-Phrygian
8-Urartu
9-Hall of Stone Artefacts
10-Classical Periods
11-Ankara Section

So, the first 8 section is positioned in the surrounding space which opens to the central space from every section. The Hall of Stone Artefacts is the central space which has 10 domes. The other 2 sections are in the floor below, however they are not allowed to enter, so i couldnt observe the spaces there.

In paleolithic age section, there are primitive tools for attacting to animals and some wall drawings which tell us how people were hunting. The neolithic age section includes the Goddess Figurine, the first town plan which shows Çatalhöyük, and more detailed wall drawings. In the chalcolithic age, people started to make dishes from copper. After the warly bronze age, the technique started to be improved time by time, and the tools which people used for daily, are so cleverly designed. It is interesting to observe that people think always in a same way although time is passing and technique and technologie has improved time by time.

The experience of the atmosphere of the all these old ages and also the spaces which reflect the old Ottoman Architecture is instructive and mind-blowing.

The Museum of Anatolian Civilizations

 Paleolithic Age:

This slideshow requires JavaScript.

 

Neolithic Age:

This slideshow requires JavaScript.

 

Chalcolithic Age:

This slideshow requires JavaScript.

 

Early Bronze Age:

This slideshow requires JavaScript.

 

Assyrian Trade Colonies:

This slideshow requires JavaScript.

 

Hittite:

This slideshow requires JavaScript.

 

Phrygian:

This slideshow requires JavaScript.

 

Urartu:

This slideshow requires JavaScript.

 

Stone Artefacts:

This slideshow requires JavaScript.

Main Elements of Architecture

As a group, we chose “Wall” as one of the main elements of architecture, and started to work on it. We did lots of researches, then we prepared a presentation which includes a poster, 3 models and 1 video. In this presentation, we mentioned about Great China Wall and Berlin Wall which are the most important wall examples in history. As a conclusion of inspration of Berlin Wall (model1) , the next example is Rem Koolhaas and the Voluntary Prisoners of Architecture(model2) . Then we started to mention about spetial issues which walls provide. The 3rd model has spetial variations via different usage of walls. After showing models and poster, we show a video which we recorded in TED University and experienced how walls work in a spetial manner.

Poster:

POSTER

Model of Berlin Wall:

Maket Berlin Wall

Model of Exodus or Voluntary Prisoners of Architecture:

Maket Voluntery Prisoners

Model which shows variation of spetial experiences of wall:

Maket Wall and House 3

Maket Wall and House 2

Maket Wall and House

 

Video:

http://www.youtube.com/watch?v=impVmHm1kAo